Sunday, May 22, 2022

Long Island Cruise Guy? Part 4

I just wanted to do one more entry in this series to talk about some of the odds and ends from my recent Celebrity Cruise that I left out of the first three parts.


1. At the Movies

I'd like to add one big thing that I forgot about the Celebrity Summit vs. Royal Caribbean's Mariner of the Seas comparison that goes in Mariner's favor (and another small advantage for the Summit).

One tiny, but much appreciated thing, in the Summit's favor was the availability of Truvia on the ship. I tend to use artificial sweeteners in coffee, iced tea, etc., and Truvia is the one I use at home. It seems to me to be healthier than both Sweet & Low or Splenda, and it certainly tastes better than Sweet & Low, especially in iced tea. Truvia is rarely available in restaurants, etc., so I appreciated its presence on the Summit.

But here's one big  thing in the Mariner's favor. I didn't watch any movies on the big screen on Mariner, partially because we were too busy, and partially because in keeping with the 80's Cruise theme, it was screening all 1980's films that I've seen a million times that week. But presumably on a typical cruise, Mariner shows more recent films, and according to the deck plans, their big screen is right out on the pool deck (as it is on most cruise ships).

But the Summit is a pretty old ship, so when they decided to add a big screen, they took a novel approach - they put it up on the very top deck, Deck 12.

Now when I started to get the Summit's entertainment itinerary in dribs and drabs on their app, one of the things I was excited about was that they were planning to show the most recent Spider-Man movie, Spider-Man: No Way Home. I didn't catch it in the theaters, and I have no idea when or if it will show up for free on a home streaming channel (or even which channel it might pop up on). So I definitely planned to catch it while I was on the ship.

Unfortunately, one of the few annoying things on the Summit was that the schedule on the app wasn't always accurate. The app claimed that the film was going to be showing on the big screen on Day 5 (I think) at like 5PM. However, when we got the paper schedule for that day, it claimed that the big screen was actually going to be showing Mamma Mia! at that time instead. Now Mamma Mia! is from frigging 2008 - it's more than 10 years old. So why some genius would decide to replace the new Spider-Man film with Mamma Mia! is beyond me.

I had a feeling that the paper schedule was probably the more recent (and more accurate) one. Nevertheless, I figured that I'd head up there on Day 5, see for sure which of the two films was playing, and if nothing else, I'd at least scope out what the situation was on the movie deck. So a little before 5PM, I headed up there.

There was no way to get up there by the internal elevators, so instead, I went up to Deck 11. I had my cane with me, and a canvas bag that had my sunglasses, my distance glasses and a baseball cap in it (in case I was stuck out in the sun).

I walked around on the port side, and discovered to my chagrin a daunting outdoor metal staircase up to Deck 12, one of those where the stairs aren't even solid - you can see through the back of each step. Not great if you're afraid of heights, like I am. There was also a sign that said "Elevator up to Deck 12 is on the starboard side of the ship." Crap. So I had to either hobble around to the other side of the ship, or I sort of had to be Spider-Man and climb up those stairs to get up there.

I decided that instead of ambling over to other side, I'd try the staircase. This turned out not to be fun, especially because I was carrying both my cane and my canvas bag. But I took it slow, and terrifying as it was, eventually I made it up there.

I wandered around the aft of the ship, and discovered that the chairs were all those kind of outdoor fabric ones some people have for lawn furniture. They were all a bit damp, as it had rained on and off for the whole cruise. And all the ones out of the sun were already taken.

I found the least damp seat I could that had at least a little shade and sat down. Needless to say, a few minutes later, the opening credits for Mamma Mia! started rolling. 

Shit!

"Well, at least I can take the elevator going back down," I told myself. I gimped my way around to the starboard side of the ship and found the "elevator". It was actually a glorified wheelchair lift. It was nothing but an exposed outdoor platform that had a rail around it that was about up to my waist. I took one look at it and decided there was no way. God forbid the stupid thing stalled and I'd be stuck halfway between Decks 12 and 11 in an exposed situation that would totally set off my acrophobia. (And it didn't look all that reliable.)

So I took my canvas bag and cane in my left hand and grabbed the staircase railing in a death grip in with my right one, and slowly, terrifyingly made my way back down the exposed metal staircase. (I almost kissed Deck 11 when I finally got down there.)

Two days later, the paper schedule showed that Spider-Man: No Way Home was playing that night at 5:30. Thanks for nothing, Celebrity. I passed.

Mariner of the Seas has it all over the Celebrity Summit when it comes to their big outdoor movie screen.


2. Does Bermuda Come Up Short(s)?

I'll tell you truth, originally I totally intended to trash Bermuda in this blog. They were the ones who pushed the special health regulations that eventually caused Celebrity to rearrange the order of their itinerary, and ultimately caused us to miss the port of Newport, Rhode Island entirely. And since I'd sailed to Bermuda before, and was most looking forward to the Charleston and Newport ports, I was not amused. (A lot of people were also a little ticked that we all had to shell out an extra 40 bucks for the privilege of Bermuda processing the extra health questionnaire that none of us wanted to do in the first place. F U, Bermuda.)

I can also say that the one lunkhead I experienced all cruise was the clown who was working the terminal in Bermuda. We were told by the ship we'd have to wear masks in the Bermuda terminal, and possibly outdoors on land as well. However, Denise and I had a night excursion the first night we got there, so when we went through the terminal (which was about ten steps wide), it was a ghost town. And the few people who were around weren't wearing masks. So we didn't either.

However, after the excursion was over, when we were about to go back through the terminal, there was a guy there to take our I.D. And as I was fumbling with my wallet to find mine, he told me somewhat rudely that I needed to put my mask on. Really, pal? For the privilege of walking ten steps through an empty terminal? Asshole.

The saving grace, however, was the two women who actually worked our excursion, the late night glass bottom boat into the Bermuda Triangle, Captain Zoey and her helper, Triana.

When Denise and I were in Bermuda 20 years ago on a Royal Caribbean ship, we'd taken essentially the same excursion. And part of the fun is going out into the Bermuda Triangle at night and hearing the stories of all the ships that had disappeared there. Unfortunately, that time, after the captain told like one scary story, some idiot woman who apparently hadn't read the excursion description, piped in and said, "Excuse me, but you're scaring my children. Can you not tell these stories, please?"

What?!!!! Why did you bring children on an excursion like this? So of course, that was all we got in the way of stories about ship disappearances.

Anyway, Captain Zoey and Triana were very nice and entertaining. And as I'm quite a bit less spry than I was twenty years ago, I appreciated their help in getting from the top of the boat to the bottom while we were still moving. And while they told us the story of the ship disappearances, they also spoke with obvious pride about their lives in Bermuda (both had been born there), and what it was like there. 

So Bermuda, I'm letting you off easy, thanks solely to Captain Zoey and Triana. Next time, you won't be so lucky!


3. Charleston, SC and the Cancellation of our Plantation Excursion.

As I mentioned in an earlier entry, the change in the schedule totally screwed up our scheduled excursions in Charleston. We were supposed to do an excursion to a plantation on one day, and a city tour the next. Unfortunately, after the change in itinerary, we eventually wound up with two excursions that were booked at overlapping times. There was also conflicting information on the plantation excursion. The description Denise had found listed it as having a "mild" activity level, but when we got on the ship, the paper description of tour listed the activity level as "moderate". 

Now even under normal circumstances, I sometimes find even the ones they list as "mild" a little challenging. I didn't feel up to a "moderate" one. In fact, the truth was that for the first half of this cruise, I often felt pretty lousy physically. I think my blood sugar was all out of whack, and the stress of doing all the things necessary to prepare for the cruise didn't help. I also had a variety of mild ailments going on, including an ear that stuffed up from the moment we got on the ship, some arthritis issues, etc. So I didn't want to push myself too hard.

When we went to the excursion desk, they asked if we wanted to do both excursions on the same day, but I had to tell them no. There was no way I felt I was up for it. So we cancelled the plantation excursion, which I felt bad about, because it was the one that Denise really wanted to do. I told her it was OK with me if she went on that one and left me to do the bus tour, but she decided against it.

As it turned out, thanks to the later change in itinerary (where we lost Newport but were given an extra day in Charleston), it could have worked out if we'd have moved the city tour to the third day in Charleston and rebooked the plantation excursion for the second one. (The plantation one wasn't offered on the third day.) But at that point, I really didn't want to go changing things around again. (Nor did I want to reward Celebrity for all the confusion by buying an extra excursion from them.)


4. Captain Kate vs. Captain Nicklaus

Odds are if you're not a cruise junkie and don't watch all of the cruise vlogs, etc., you've never heard of Captain Kate, aka Kate McCue. But she's the superstar captain for Celebrity Cruise lines. In an industry where most of the cruise ship captains are aging Greek or Italian guys, Captain Kate is a relatively young, photogenic, American woman who was the first American female to be named captain of a large cruise ship. And in today's world, where old white dudes are out of style, as you can imagine, Celebrity has done everything possible to wring the maximum amount of publicity (and the maximum amount of virtue-signaling points) out of Captain Kate. She gets to captain Celebrity's newest ships, and she has essentially become the face of the cruise line. And all of my favorite cruise vloggers sing her praises, name-drop how friendly they are with her, etc. (Don from Don's Family Vacations even made a video last week were he talked about sending her a special package of the kinds of snacks she loves but can't always get when she's at sea.)

Now I'm not trying to poop on Captain Kate's parade. I have no reason to believe that she's anything other than an excellent captain who has worked hard to attain her position.

Nevertheless, I'm sure that all of the (relatively anonymous) male captains of the fleet must hate her guts and want her dead. And one day, at some company function or other, the lights will go out briefly, and when they come back on, they'll find her body has been stabbed, shot and hacked to bits in a total Murder on the Orient Express scenario.

So when the captain of the Celebrity Summit came on the ship's  speaker as I was making my way down from my Spider-Man debacle, and announced that we wouldn't be going to Newport after all because of inclement weather, I was less than pleased. And when our (excellent) cruise director Sarah explained at the show that night that what Captain Nicklaus had meant by "inclement weather" was we'd be sailing through 25-foot high waves, I understood. But what I really wanted to do was track Sarah down, and tell her, "Please give Captain Nicklaus a message for me. Tell him Captain Kate would have gotten us to Rhode Island."

But Denise wouldn't let me.


I think that about wraps it up for my Celebrity Summit cruise summary.

On a sad note (but it's probably for the best) we've worked out that extra cruise we were hoping to slip in in July on the Carnival Magic just isn't going to happen. We have house guests coming that month, and the dates that they'll be here overlap both of the possible cruises we were looking at. So unless something totally unexpected happens, we'll be landlocked until the 80's Cruise next March. Oh well. It was a thought.


Tuesday, May 17, 2022

Prog Contest 2022: The Final Round - Results

OK, as I guess I've made obvious, for me, this was a brutal contest. My rec, Frogg Cafe's Bateless Edge, was the first one knocked out of tournament. Of the ten first round matches, my pick lost eight of them. And the later rounds weren't any better. 

The two albums vying for the championship, Circus's Movin' and Pekka Pohjola's Visitation, were my 17th and 16th choices respectively out of the 20 albums that started this journey. I voted for the Pekka Pohjola LP. Unsurprisingly, Circus won it all.

It was yet another crazy close contest, ending in a 10-10 vote yesterday. One of the Sputnik Users who had participated in previous tournaments and who voted in this one a couple of times along the way, was invited to give the tiebreaker vote. He voted for Circus.

Final Results: Circus 11 votes, Pekka Pohjola 10 votes.

Thanks to Jethro, who did a fine job taking over for Friday13th as the tournament organizer.

But I need to go cry now. See y'all soon.

Long Island Cruise Guy? Part 3

So let's talk music and entertainment. (Finally!)

As I mentioned, our cruise on the Celebrity Summit was a traditional cruise (as opposed to our 80's Cruise), and as such, it featured traditional cruise ship entertainment. Here is the good, the bad and the ugly. (Well, it never really got ugly, but you know what I mean.)

The following musicians and bands were scattered throughout the ship in the various venues during the day and night. All the ones I saw were at least decent.

1. Anna Korniienko - Solo Guitarist

Anna is a young (20-something) Ukrainian acoustic artist. She had a lovely singing voice, played well, and had a pretty extensive repertoire. (I saw her play four or five sets over the course of the cruise, and she only repeated a few songs.) She mostly played at (or at least I mostly saw her at) the ship's coffee shop, Cafe Al Baco. She was my favorite shipboard entertainer. Her only negative - I asked if she played any Joni Mitchell, and she obviously had no idea who that was. (Oh, these kids today!) I loved her voice and her phrasing, though.

2. Diamond Duo - Instrumental Duo

This act consisted of a young female Ukranian (I believe) violinist and a male Russian (again, I believe) acoustic guitarist. I suspect they're a couple. They played all instrumental classical and pop music. I saw them perform three times at the Cellar Masters venue, the ship's wine bar. They played everything from Sting (if I remember properly) to pieces from Bizet's Carmen. I enjoyed the way she'd suddenly stand and start dancing along when she was playing a piece she was particularly inspired by.

3. Ocean Beat - Dance Band

This was a multinational 4-piece band that played mostly light pop and danceable classics. We generally caught them in the ship's 4th-deck Rendezvous Lounge, which is right next to the place where we entered (and, sadly, exited) the ship. We caught them at least twice, and I wish we'd caught them more.

4. Colby Dean - Solo Guitarist

This was a gentle young singer from Montana who reminded me of one of my co-workers (who is also a musician). He was the other artist who played regularly at Cafe Al Baco. Humorously enough, I spent a good deal of the week chasing an acoustic duo listed on the Celebrity App as The Ways around the ship, never quite catching them, until I realized that Colby was The Ways (or half of them, anyway). It turns out that until the last sailing, he was part of a duo, but he signed a new contract and his partner went home. His repertoire was less extensive than Anna's, mostly because he was just getting used to playing as a solo artist. (He said he'd had to quickly learn an entire album by the Hawaiian artist Jack Johnson in order to have enough material to make it through the cruise.) He was always pleasant and enjoyable, though, and was probably at his best doing material in the vein of James Taylor.

5. Trust Me, Jack! - House Band

This was a British 3-piece that added a female singer (I think from Spain?) I wish I'd seen more of them, but I have to give them an incomplete. The first time was saw them was during a brief set without their singer at the sailaway on Day 1 on the Deck 11 Sky Lounge. And the second time, when we saw them at the Rendezvous Lounge, wasn't a fair test of their abilities. There was an obviously developmentally disabled woman on the ship who seemed to be traveling alone. I saw her a number of times at Cafe Al Bacio, where she would sometimes sing along quietly with either Colby or Anna. However, when she was watching one of the full bands, especially Trust Me, Jack!, she would get so excited that she's sing along in a very loud and off key voice, to the point where if you were sitting anywhere near her (and we were), you really couldn't get the proper effect of the band. I did walk through the lounge on the way to the Men's Room one night when they were doing their British Invasion set, and heard them do an excellent version of Elton John's "Rocket Man". But I don't feel like I ever got to hear them do their thing properly.

There was also supposed to be a "Jazz, Funk and Soul Orchestra" somewhere. But they were only listed on the Celebrity App as playing one set  on Day 4. And I have a feeling they were either a fiction on this cruise (like The Ways), or they were the backing band from the main theater cutting loose one time in another venue. In any event, real or not, I never saw them.


Now let's talk about The Theatre where the ship's headline show played every night. I want to preface this section with two things. The first is that overall, I enjoyed the nightly shows, and I was entirely satisfied with the shipboard entertainment as a whole.

The second is this. Some of you have pointed out that I can be a bit...um...sarcastic at times, and it seems that many of my readers enjoy that. During this cruise, however, I started reading a book recommended to me by my friend Rich Da Drummer (from The Slant) called The Four Agreements.

This is a type of self-help book that speaks of four agreements you should make with yourself to help you live a more fulfilled and happier life. I'm enjoying it so far, but I've only gotten as far as the first agreement, which is this: Be Impeccable With Your Word. This refers not only to being honest with people, but uses the notion of "the word" in a kind of Biblical sense - the things you say (and write) bring things into existence, and you want to be careful to say and write things that create positive things for yourselves and others.

So my struggle in this section will be to give you honest reviews while remaining impeccable in my word. Here we go:


Night One: Gary Lovini - Violinist

This guy totally wasn't what I was expecting. I was picturing a classical violinist in a formal dark suit, and what I got was a Brit in a shiny (possible sequiny) Vegas white shirt. (I forgot to bring my distance glasses to the theatre that night, so I'm not really sure about the sequins.) Nevertheless, I really enjoyed him. He was backed by the ship's band, who occasionally sang along softly to the otherwise all-instrumental set. His show began with a violin version of A-ha's "Take On Me," and included a Star Wars tribute where his bow magically turned into a light saber, and a full tribute to the music of Queen. The theatre was a little empty that night, at least during the first show, but I suspect this was because a lot of our aged fellow passengers were still recovering from the fatigue of the boarding process. (It wasn't actually that bad for this trip, but I know it always takes a lot out of me.)


Night Two: "Life" - a Musical Review

This was the first of two production shows that featured the ship's cast of singers, dancers and acrobats. In all, there were four main singers, about eight dancers, and two acrobats. I didn't recognize much of the music, but I enjoyed the show, which was intended to be a rather positive musical nod to the various steps and phases of life. The singers were all good, the choreography enjoyable, and the acrobats (one male and one female) were amazing. Very good show.


Night Three - A.J. Jamal - Comedian

We didn't catch him for this show, as it was our first night in Bermuda, and we had an excursion into the Bermuda Triangle on a glass-bottomed boat. We heard good things about him, though, and we did see him twice later in the cruise - once as part of a panel for the game Liar's Club, and then again later in the cruise for a special late-night "adult" show in the Theatre towards the end of the cruise. He was funny both times, and not overly raunchy at the adult show.


Night Four - Gen Maldonado - Singer

Gen is a New York-born singer from The Bronx who performed a show that was a tribute to "The Divas" (Tina Turner, Aretha Franklin, Donna Summers, Barbra Streisand, etc.)

A couple of things about her. Number one, she should shoot her photographer, as based on her publicity photo, my question for Denise was "Is this someone who was born a woman or who came to that station later in life?" As soon as she took the stage, it was clear that she was, as Aretha might have said, a "Natural Woman". I think she uses that photo because it was taken when she was a little younger, and she's also gotten a little heavier since then, but she'd really be better off with a more recent picture so her audience better understood who she was and what her act might be like.

Be impeccable in your word, Richard!

No, I wasn't trying to pick on her in any way, but ... Ok, fine.

In any event, she had a very powerful voice, and a really likable personality. I didn't necessarily love her choice of material - I like Tina Turner, but I wouldn't have chosen the particular Tina songs she chose, for example. On the other hand, it could have been worse, as she did choose the one Streisand song I find somewhat tolerable ("The Way We Were"), and she left out most of the diva's that I can't deal with, like Celine Dion, Bette Midler and Cher.

Be impeccable in your word, Richard!

OK, OK. In any event, the audience loved her, and I...liked her.


Night Four - "Reigning Rocks" 

This was a brand new "boutique show" (about thirty minutes long) that the singers and dancers (minus the acrobats) put on up in the Sky Lounge. It was actually one of the highlights of my cruise. The cast entered the room with the four singers dressed as kings and queens, and the dancers dressed as their court. They proceeded to put on an energetic show of mostly (all?) Queen music on the club's dance floor. Especially considering this was the first time they'd performed this show, it was really enjoyable.


Night Five - Intimate Broadway Caberet

This was a great idea in concept. The way our (excellent) Cruise Director Sarah explained it, it's a show that's performed on every Celebrity ship. However, it's different on each ship, as it's a show where the ship's singers choose those Broadway Musical songs that most inspire them.

Like I said, it's a great idea in concept. In practice, however, the problem here is leaving the singers in charge of picking the material. It reminded me of the part in The Producers where Max Bialystock tries to convince Franz Liebkind that the best way to tank Springtime for Hitler is for Liebkind to kill the actors. A horrified Leo Bloom objects to this, saying "You can't kill the actors! Actors are human beings!" Leading Max to respond, "Oh yeah? Did you ever eat with one?" Never leave the singers in charge.

Please, Richard! Be impeccable in your word!

Right. Sorry book.

In any event, the show featured the four main singers of the ship's cast plus two singer/dancers, given free reign to each pick a Broadway song that inspired them.

The first gal chose something from Thoroughly Modern Millie. Really? Ok, fine. This was followed by a rather slight fellow, one of the singer/dancers, who chose a song from the Hugh Jackman vehicle, The Boy from Oz. And I'm looking at this dude, and I'm picturing Hugh Jackman, and something's just not clicking here.

Now to the best of my knowledge, there are (at least three) musicals based on the novel The Wizard of Oz. Two of them, the 1939 movie, later turned into a stage show, and the smash hit Wicked, are great showsSo naturally, the next singer picks something from The Wiz. And it wasn't "Ease on Down the Road".

Richard!

Yeah, yeah. Then the fourth gal steps up, the other singer/dancer, and she picks something from another musical that I don't even think she named (let's just call it The Suck Show), that was once again set in The Roaring Twenties.

Are you people serious?! No one here is inspired by "Defying Gravity"? Andrew Lloyd Webber is right out? Jesus Christ!

Richard!!

At this point, a couple who'd been sitting a few rows in front of us got up and walked out. And as they walked past me, I gave them a smile and a nod. Because if I wasn't there with Denise, I would have been right out of there with them.

Richard! Remember the First Agreement! Be impeccable in your word!

OK. Right. Sorry. I just got a little carried away there.

Now, the next guy, who was probably my favorite singer in the cast, did a little better, but it was kind of a cheat. Because he chose Elton John's "Your Song" from the jukebox musical Moulin Rouge. Cheat or no, I was relieved, though. At least it was something I'd heard of.

And the final singer upped the ante in terms of cheating. Because she did an entire medley from Beautiful: The Carole King Musical. But again, I was just glad to hear something I was familiar with. (And let's face it, King was a great songwriter.)

Finally, for the end of the show, all six singers got together and did a medley that wasn't even a cheat,  from Les Miserables. This was definitely the highlight of the show, and in fact, I wished it went on for a little longer. So the last three songs pulled the show out somewhat. But just barely.

At lunch the next day, one of the couples we were sitting with agreed with my take - it really wasn't fun to sit through so many obscure songs when there are so many great Broadway tunes to choose from. Again, never let the singers choose your show's songs.

Alright, let's just move on, shall we?

Absolutely, book. Let's do that.


Night Six - Uptown Boys

Ho boy. Here's where I really get myself in trouble, especially since these guys are a New York-based act. 

Just remember - Be impeccable in your word, and you'll be alright.

Yeah, sure, whatever. 

This is an act where three guys sing "all the hits" of Billy Joel. I don't know, Billy Joel has a lot of hits. But let's see.

From the minute these guys stepped out onto the stage, doing their version of "Scenes From an Italian Restaurant", I immediately burst out laughing. These were the loungiest Billy Joel's you're ever gonna see.

Richard...

In my head, I immediately named them The Buttmunch Boys, and all I could think about was Butt-head asking, "Do you think these guys sleep in the same bed, Beavis?"

For the love of God, Richard!

The deal was this. You had three marginal Broadway musical guys (the tall guy did say he'd been cast as the lead once, but in a show that only lasted a month). All of them had OK voices, in the sense that they could all at least hold a tune. But none of them had interesting enough voices that they could carry a show on their own, and they all struck me as having the kind of voices you'd mostly put in comical bit parts, like maybe the weird uncle, etc. And not one of the three sounded even remotely like Billy Joel!

Now to their credit, they (or someone) actually came up with a concept where these guys could make a living in show business. You take three marginal talents, group them up together (so they can cover up one another's flaws somewhat), and give them an angle like, "OK, you guys only sing Billy Joel songs." Then you send them out on cruise ships and similar type entertainment venues.

(In fact, you might actually send them out on multiple cruise ships at the same time, because as best I could tell from their website, there are actually about twelve different Buttmunch...um, I mean Uptown Boys. So you can have various different pairings of three of them, maybe even working on three or four ships at the same time. And I'm not sure, but I think the tall guy who was performing on this ship might have been the one who came up with the concept.)

A couple of caveats. Number one, they actually did their best work on Billy's stuff from later albums, especially An Innocent Man: "Tell Her About It," "Uptown Girl" and "The Longest Time" all sounded significantly more credible than did any of Billy's earlier stuff, like "Anthony's Song" or "Only the Good Die Young". But that's not at all my favorite Billy Joel material, and as you might expect, they left out quite a few of his best earlier songs.

And caveat number two: I might just be an asshole, because they got a pretty good reception from most of this (enfeebled and possibly senile) crowd.

I'm really disappointed in you, Richard.

Me too, book. Let's keep going.


Night Seven - "Soundtrack" - A musical review featuring music from films.

The first couple of songs here were kind of obscure, and for one of them, we were back in The Roaring Twenties again. And all I could think of was, "Just how old do these people think we are?"

It got better, though, and it certainly didn't hurt that the dancers and the acrobats were back.

The acrobats kind of stole every show they were in. And I wondered to myself did the rest of the cast realize that? They had to, because the acrobats consistently got the most applause at the end of the night. Because a singer can sing, and if they flub it, what's the worst thing that can happen? An embarrassing note or two. But the girl acrobat was up there around the roof of the theater a couple of times. And if she flubbed it, she, and probably several of the people in the audience below her, were either going to die or they were going to have to be Medivac'd off the ship. Although there was one time when the young African-American singer was singing her heart out at the front of stage, and the male acrobat was rolling around in circles behind her inside his giant hoola-hoop. And all I could think of was she must have a lot of faith in him, because if he screwed up even a little, he was going to clobber her from behind and send her flying into the audience.

You're killing me, Richard. You're just killing me.

In any event, they eventually moved into some more familiar territory, and their best bit was a medley of songs from the various James Bond films. Denise was happy about this too, because one of the ones they did was "A View to a Kill".


Night Eight - Bob Brizendine - Comedian/Magician

This was the last act that actually showed up on the app, so maybe they booked him late. In any event, I spent most of the week referring to him as Billy Branzino, because there was branzino on the menu one night, and I remembered the "BB" initials and that there was a "z" in the last name somewhere.

This was a weird act to book on a cruise ship, because most of what he did was playing-card magic, and some comedy surrounding it. And really, unless you were sitting in the front rows, he could have told us there were naked pictures of Benedict Cumberbatch on the cards and we'd have had to take him at his word. As it happened, this was the one night where we chose to sit in the balcony. But even if we'd have sat where we usually sat, I couldn't have seen those cards on my best day, and it wasn't like they were using any projector equipment to help us out.

In spite of this, I actually liked him. He was very funny, and pretty patient, given that half the audience members he was trying to work with were decrepit and the other half were deliberately giving him a hard time.

Richard...

What? I said I liked him. That was pretty impeccable, wasn't it?

(No answer - just gentle sobbing)


Night 9 - Unique3

This show consisted of three female singers who were supposed to encompass the best of rock, soul and Broadway.

Funny story - on Night Two of our trip, two of these gals wound up eating dinner at the table behind us in the Main Dining Room. And as they're all attractive, and young, and famous (for a cruise ship, anyway) the waiters were just fawning over them, bringing them extra rolls and a special bottle of wine, etc. And the ladies were flirting back some, enjoying the attention and the special perks. And we were sitting close enough that although I wasn't trying to listen in on their conversation, it became clear to me who these gals were - they were originally listed on the app as the headliners for Night Seven, but once old Billy Branzino got booked, they were moved to Night Nine. So when Night Nine actually came along, I figured for sure there was going to be no service in any of the dining rooms, because all of the waiters would be at the show.

Richard, I'm getting tired of this!

Anyway, when these three gals came out, it became immediately apparent that these were no Uptown Boys. All three of these women could sing, especially Angelique, the one girl who hadn't been at dinner with the other two. (I thought it was kind of mean that she was the one minority girl in the group, and the other two had eaten without her, but who knows? Maybe she only got on the ship later in either Bermuda or Charleston.)

Jesus Christ, Richard!

In any event, this was a pretty good show. Lisa, the Broadway gal, did a fine version of "Somewhere" from West Side Story, and Emily held her own nicely, even though she was the newest member of the group. Although I would say that their stage personalities were a little like a Saturday Night Live parody of what a cruise singer might be like.

You f***ing asshole! I've had enough of your bulls***! You're not even f***ing trying to be impeccable, are you?!

I don't think you're supposed to be cursing at me like that, book. Be impeccable with your word.

Oh, f*** you!

As for Angelique, she did some fine Tina Turner, among other things.

Anyway, at one point, the three of them teamed up with a medley from the Carole King Beautiful show, and it was great. (And honestly, nothing against the ship singers, but it was better than their medley from Beautiful.)


So that's my rundown of the music and entertainment on The Celebrity Summit during our cruise. We also attended a few Silent Disco's (where everybody wears headphones that have three different channels of music, so they're dancing, but not necessarily to the same thing.) These were fun, and would you believe it? On this ship, anyway, The Village People are still immensely popular! (And deservedly so, I might add).

I think I might do one more short entry in this series just to bring it all together. But anyway, we're home now, and we're not scheduled to cruise again until next March's 80's Cruise out of Los Angeles.

But is it wrong that we've started talking about whether we can can squeeze in an extra cruise this July? 

Be impeccable in your word, everyone!




Sunday, May 15, 2022

Long Island Cruise Guy? Part 2

I've decided to make this a three-part series. In this part, I'm going to compare this Celebrity Summit cruise with the 80's Cruise Denise and I took in March on Royal Caribbean's Mariner of the Seas, including a comparison of the two ships. Then, in Part 3, I'm going to break down and review the various musical and entertainment acts I saw during this cruise.

Denise and I got home this past Friday, and we've still been recovering from (and coming down from) the cruise. Even though I'm still pretty tired, though, I feel that by the end of the week, my spirit will be ready for another cruise. Which is a little unfortunate, as we're probably not going to actually take another cruise until next year's 80's Cruise next March. Oh well.

Anyway, the biggest difference between these two cruises was their complete dissimilarity in focus. The 80's Cruise was a charter cruise. The company Entertainment Cruise Production (ECP) chartered the ship, and while the crew working the ship came from Royal Caribbean, the entertainment team, including the Cruise Director and (almost) all of the entertainment on board was scheduled, contracted and run by ECP, an independent company. The focus was on 1980s nostalgia, and (almost) all of the bands, musical artists, interviews and even games and theme nights were related to that.

This most recent cruise on The Summit, however, was a traditional cruise. It was put together by Celebrity Cruise Lines, and the entertainment, schedules, etc. were all theirs.

There was a lot of similarity between the two ships, although there were also some differences. Both are owned by the same parent company, Royal Caribbean International. Both are older ships - Mariner had its inaugural sailing in late 2003, and the Summit had its in late 2001. They're also both smaller ships by today's standards. Mariner has a capacity of a little over 3,000 passengers and the Summit holds about 900 fewer than that. Compare that to the newest Royal ship in service, Wonder of the Seas, which can hold nearly 7,000 passengers.

The two ships come from two different cruise lines which are aimed at slightly different demographics. Royal Caribbean, like Carnival Cruises and the Norwegian Cruise Line, are lines designed for mass popularity. They're relatively inexpensive, feature lots of entertainment, and the newer ships in the line tend to have splashy features - wave riders, rock walls, ice shows, aqua shows and roller coasters. They're great for families (because of all of the activities on board), and for party people as well.

Celebrity is kind of the next step up - not exactly a luxury line, but meant for travelers who are willing to spend at least a little more, and who want to cruise without all the bells and whistles. They're roughly equivalent to other lines such as Princess Cruises and Holland-America. They have a slightly older demographic, although Celebrity stills sees itself as hip and cutting edge, compared to very traditional lines like Cunard and Holland-America. And they're usually slightly more expensive, although as it happens, I got a great price on this cruise.

Which ship did I prefer? Based solely on these two sailings, I liked the Summit better, for several reasons. Both ships had comfortable cabins - we had a balcony cabin on the Majesty and an inside cabin on the Summit, although they offered to give us a free upgrade on the second day. But it would have meant a move from the center of the ship on Deck 7 (and a cabin conveniently located right near the elevators) to a cabin in the very aft of the ship on Deck 9, right under the pool deck. This would have been potentially noisier, a further walk from a lot of the places on the ship we needed to get to (the theater, for example), and a rockier time when there were rough seas (which there were for a good part of the trip). So ultimately, we decided to stay where we were.

Both ships were also small enough to get from forward to aft relatively easily, which was good.

The main areas where I think the Summit was better were:

1. The comfort of the theater. If you read my 80s Cruise Review articles, you know I complained bitterly about how uncomfortable the Royal Theater was for larger people like myself. The seats mainly had hard wooden arms on both sides, which left my hips bruised for about a week after I got off the boat. In contrast, the Summit's theater had comfortable, love-seat like seating. It was pure bliss compared to the Mariner's theater (although the seating for the shows in their Studio B were better).

2. The food. Celebrity has a reputation for good food, and while Denise wasn't always happy with hers (she likes her soups, coffees, etc. blazing hot, and that didn't always happen), I only had one misfire - a cheeseburger for lunch one day in the Main Dining Room that I would describe as bowling-alley quality. (OK, the one time I made it to breakfast at the buffet restaurant, the scrambled eggs were kind of runny also.) Everything else I ate was excellent, including a lot of steak and prime rib. Some of the soups were also amazing. And in general, Celebrity's buffet restaurant was much more consistent than Royal's. Most of Royal's dinners were pretty good, but there were also a lot of meals that weren't that inspiring.

3. The crew. While both crews were mostly polite (with one exception on Mariner), the Summit's crew seemed to be a little more organized and knowledgeable, even though both ships were moving from dealing with much emptier ships to fuller ones.

4. The design of the ship. As I said in my 80's Cruise write-up, I don't like that Mariner (and seemingly most of the Royal Caribbean ships) have a ship design that seems to be focused inwards, to the point where you can forget you're at sea. The Promenade in particular feels like a mall - it's a big, wide corridor with shops on both sides and no portholes that allow you to see the ocean. The Summit is more of a traditional ship where you at least can see the water from most of the onboard venues. I like that much better.

5. Outlets. Although the Summit is an older ship, there were more outlets to work with in our cabin than there were on Mariner.

Looking at the cruises themselves and not just the ships, they were apples to oranges experiences, but both were good. The 80s Cruise was an insane party boat, with an absolutely full ship and something going on at all hours of the day and night. The cruise on the Summit, on the other hand, was a quieter cruise on a less-full ship with a (much) older demographic. The 80's Cruise only allowed passengers 18 and older. On the Summit, children were allowed, but because of the kind of cruise it was, the time of the year (with Spring Breaks all done and schools everywhere open and preparing for finals), in practice, we only had one child on the entire ship - an infant traveling with a family of five.

The average age of the 80s Cruise was probably people somewhere in their 50's - those who grew up as teens and young adults through the 1980s. On the other hand, the average age on The Summit was probably the early 70s, with every third or fourth person sporting a cane, walker, scooter or wheelchair. So as you can imagine, The Summit was a much quieter cruise, which was exactly what I was looking for. (In fact, I wish we had done the Summit cruise before the 80s Cruise, to help work me back into cruise shape in a gentler fashion, as opposed to throwing me from my COVID-imposed isolation of the last two years into the middle of a bacchanal.)

The Summit cruise was also an easier experience because it sailed from New Jersey instead of Florida. We didn't have to deal with flying to get to the ship, which was something I really appreciated.

Interestingly, these two cruises were the first two times where the ship I was on was forced to miss a port, not because of COVID, but simply because of the weather. On the 80s Cruise, we sailed right past Nassau, Bahamas because the waters were too rough to dock there, while on the Summit Cruise, the captain chose to spend an extra day in Charleston, SC rather than sail up to Newport, RI (as we were scheduled to) because it would have meant sailing through 25-foot waves. (We didn't have any huge plans for Newport, but I did hope to at least get off the boat there and maybe find some nice New England Clam Chowder for lunch.)

So which cruise did I prefer? Like I said, it was apples vs. oranges. It was impossible to beat the entertainment on the '80s Cruise, where there were multiple concerts by name bands going on every night. On the other hand, I specifically booked the Summit for a quieter, more relaxing experience, and that was just what I got. So in the end, both were great, albeit very different, vacations.

Saturday, May 14, 2022

Prog Contest 2022: The Final Round (Thank God)

SO here's our final round:

Circus
Movin' On


Swiss prog with some Genesis elements that also uses a wider variety of instruments and plays some "heavy" bits here and there plus some vocals a la Peter Hammill. First half of the album is great but its second half, the 22 min title track, is a top tier prog epic and the true star of the record

youtube link: https://www.youtube.com/watch?v=WxJ0zOleXBs&ab_channel=ProgLine


vs.


Pekka Pohjola
Visitation


For his 4th solo album, Finnish composer and bassist Pekka Pohjola (1952-2008), one of the greatest Scandinavian musicians of all time, puts everything he had: his sense of melody, boundless love for jazz and prog rock, Mr. Frank Zappa's teachings and an absolutely unique look at the nature of neoclassical music. This instrumental record is a 32 minute entity joined not only by a brass section, but also by the strings and woodwinds of the Helsinki Philharmonic Orchestra. An ambitious album that, for once, achieves its lofty goals, and in spectacular style to thrill.


Spotify: https://open.spotify.com/album/13jsiukSg8oNVBKACx3X3f?si=4cZ0GZskTBSc6kFIfAyfog

Youtube: https://www.youtube.com/watch?v=SVDUIxuUWxE


Sigh.

Prog Contest 2022: The Semi-Final Round, Results

Ho boy. This has gotten painful.

This round, having heard all of the entries multiple times, I voted right away. I voted for the Il Giardino Onirico LP over the Circus LP, and the SBB LP over the Pekka Pohjola LP. Honestly, I thought that Il Giardino Onirico's Apofenia was a slam dunk, and stood out head and shoulders over the other entries, and that the SBB LP was the second best of this group. Sadly, the community disagreed with me.

The final results: Il Giardino Onirico 10 votes, Circus 11 votes and SBB 10 votes, Pekka Pohjola 11 votes. Circus and Pekka Pohjola move on.

Kill me.

Wednesday, May 11, 2022

Long Island Cruise Guy? Part 1

As I write this, I'm comfortably docked in Charleston, South Carolina on a cruise ship called the Celebrity Summit. Don't bother trying to rob my house, you heathens. My adult children are still at home, including my 21-year-old son, who's built like Paul Bunyan, my daughter's boyfriend, the martial arts practitioner, and my daughter, the brains of the operation who will hopefully keep the other two from starving until Denise and I get home. (And probably also my son's sometimes sort-of girlfriend, who isn't really supposed to be staying there, but you know how those things go.)

So yeah, I'm on my second cruise of 2022, and I'm going to tell you about it (though hopefully in less detail than I told you about my 80's Cruise in March, which ran for eight or nine entries). As this is a music blog, I'm going to focus on the music and onboard entertainment, but you know me - there will doubtlessly be lots of other details that will find their way in.

I booked this cruise towards the end of last year, at a time where I needed something to look forward to, and I wasn't at all confident that the 80's Cruise in March was going to go off as planned (due to COVID). I deliberately chose to book this one on Celebrity Cruise Lines. In the past, we've always sailed on either Carnival or Royal Caribbean, which have a younger demographic and are more known for party cruises. Celebrity is a bit of an older-skewing cruise line (although it's owned by the same parent company as Royal Caribbean), and it's a bit more upscale. Not a ton, mind you - some of these lines are super expensive. But Celebrity, along with lines such as Holland-America, Princess and Virgin Voyages, are considered to be the next step up from lines like Carnival, Royal Caribbean, Norwegian and MSC.

I chose this particular cruise because I wanted a more relaxing, traditional cruise (compared to the 80's Cruise, which I knew was going to be insanity). I also chose it because A. It was sailing out of Cape Liberty in New Jersey, which meant we didn't have to fly to it, and B. Two of the three ports it was scheduled to sail to, Newport, RI and Charleston, SC were U.S. ports, and the third, Bermuda, was a pretty wealthy island, so I figured if one of us did get sick or have to be hospitalized with COVID or anything else, we'd be able to get decent medical care.

I've also always wanted to check out Celebrity Cruises. And, I got a ridiculously good price for this particular sailing.

Now our original 9-Night itinerary was supposed to see us sail out of NJ on Day 1, reach Newport on Day 2, spend Day 3 at sea, spend Days 4 and 5 in Charleston, spend day Day 6 at sea, spend Days 7 and 8 in Bermuda, spend Day 9 at sea and reach New Jersey early in the morning of Day 10. We booked a couple of excursions for Charleston and Bermuda ahead of time, and booked a couple of specialty restaurants onboard the ship for a couple of our sea days. But of course, that would have been too easy.

A month or two ago, we started to hear rumblings that Bermuda had some special health regulations, and that you had to get a special COVID test within three or four days of reaching Bermuda whether you planned to get off the ship or not. This meant that everyone on the ship (who already had to be vaccinated and pass a COVID test within two days of embarkation) would have had to be retested onboard a day or so before reaching Bermuda. God knows what would have happened if you'd have tested positive. (It's the plank for you, matey!)

Celebrity didn't really address this issue until a few weeks before the cruise was scheduled. Their response was to completely reorder the schedule of the cruise, so that Bermuda would now be the first stop (on Day 3 of the cruise). This meant that the original COVID test you had to take to get on the ship in the first place would also be good for Bermuda. It also meant that all of the excursions, specialty restaurants, etc. you had previously booked were all shot to hell. (Denise and I, for example, had an excursion booked on Day 4 in Charleston to see an old plantation at 9AM. Unfortunately, our ship was now scheduled to arrive later that night at 6:30PM. Not owning a TARDIS, this presented a problem in logistics for us.)

Stuff happens, especially in the age of COVID. I get it. What I didn't love, though, was that when Celebrity did let us know about the itinerary change 3 weeks before the trip, instead of just apologizing for the change and explaining the reasons for it, their email framed it as something they did "to ensure a more enjoyable guest experience." I would have enjoyed the original cruise itinerary I booked. That's why I booked it.

Anyway, we're still having a great cruise. So I'll probably do two more posts about it, one comparing this cruise with the last one (and comparing the two ships, The Mariner of the Seas and the Celebrity Summit), and the other breaking down the music and entertainment acts on the ship, including the artists and bands playing daily (and nightly) in the various lounges and those playing the main show each night in the Celebrity Theater.

Be forewarned, though - there will be snark.

Saturday, May 7, 2022

Prog Contest 2022: The Semi-Final Round

So we go with the Semi-Final Round.

Just as Friday had done last year, Jethro went back to the traditional format in this round, pitting two albums directly against each other in two matchups. Unlike Friday, he elected to pair up #'s 1 and 2, and #'s 3 and 4. We'll see how it works out.

Here's the breakdown:


Il Giardino Onirico
Apofenia

Italy is considered a prog hotbed of the very highest caliber, and this one makes no exception. Album is consistent and is centered around electric guitar supported by a variety of synth and keys. It expresses all the emotions found here to the max. Here, it's romantic, there it's dark. There is a sense of tension as well, and it can be hypnotic at times. No necessarily need of vocals for doing so. When the vocals are sparsed, the instruments tightly express. Album is very melodic, and not many heavy parts to be found but heaviness is in their DNA, as shown in their previous albums.

https://www.youtube.com/watch?v=DESnpZqOndg&list=PLuS4U--ALmIFO31OkVeIZTh6s4Fum09K1
track 1 is a teaser. Please skip it.


vs.


Circus
Movin' On

Swiss prog with some Genesis elements that also uses a wider variety of instruments and plays some "heavy" bits here and there plus some vocals a la Peter Hammill. First half of the album is great but its second half, the 22 min title track, is a top tier prog epic and the true star of the record

youtube link: https://www.youtube.com/watch?v=WxJ0zOleXBs&ab_channel=ProgLine



and


SBB
Memento Z Banalnym Tryptykiem

SBB is a criminally slept on polish prog group that have made some of my favorite records in all of music. I love their songwriting and musicianship, and that's on full display on this record in particular. This record is a great show of strength for the group's abilities, from flashy exciting jazz fusion to the somber, Spanish-influenced wails of a lone guitar, these guys know how to make a melody. And I want to make sure everyone knows that.

https://www.youtube.com/watch?v=iq2WKo5s8e8&ab_channel=EricDeRosaProg


vs.


Pekka Pohjola
Visitation

For his 4th solo album, Finnish composer and bassist Pekka Pohjola (1952-2008), one of the greatest Scandinavian musicians of all time, puts everything he had: his sense of melody, boundless love for jazz and prog rock, Mr. Frank Zappa's teachings and an absolutely unique look at the nature of neoclassical music. This instrumental record is a 32 minute entity joined not only by a brass section, but also by the strings and woodwinds of the Helsinki Philharmonic Orchestra. An ambitious album that, for once, achieves its lofty goals, and in spectacular style to thrill.

Spotify: https://open.spotify.com/album/13jsiukSg8oNVBKACx3X3f?si=4cZ0GZskTBSc6kFIfAyfog

Youtube: https://www.youtube.com/watch?v=SVDUIxuUWxE


These two match-ups will determine who meets for the championship. Because we've all heard these albums multiple times now, this time, the vote is due by Thursday, May 12. I'll see you then, or shortly thereafter.

Prog Contest 2022: The Quarterfinals Results

So just as it was in Friday's last regular prog contest in 2021, the rules of the Quarterfinals (aka, The Elimination Round) were a little different. In order to vote, you had to look at the ten remaining albums and rate your Top 4 in order of preference. Your vote was then weighted so that your first choice received 4 points, your second choice received 3 points, etc. etc. The four albums with the highest point totals get to move on to the Semi-Final Round.

I voted right away in this round, because why not? Here was my vote:

1. Il Giardino Onirico - Apofenia
2. Novela - Sanctuary
3. Jono El Grande - Melody of a Muddled Mason
4. SBB - Memento Z Banalnym Tryptykiem

I would have voted for the Steel Mill LP in my #3 spot if it had survived the previous round. But like most of my other picks, it didn't. In fact, the only two albums that I voted for that even made it this far were the Jono El Grande LP and the Axis LP.

When all the smoke had cleared, here was the final point total for the round:

Il Giardino Onirico - Apofenia = 42
Circus - Movin On = 34
SBB - Memento Z Banalnym Tryptykiem = 24
Pekka Pohjola - Visitation = 23
Present - Barbaro = 22
Jono El Grande - Melody Of A Muddled Mason = 17
Mercury Tree = 15
Axis (GR) - Axis = 13
Maquina! = 12
Novela - Sanctuary = 7

In the end, I was shocked that Novela got almost no support at all, and also surprised that after getting off to a decent start, Jono El Grande didn't move on. On he other hand, I wasn't at all stunned that the Il Giardino Onirico album finished in first place.

So we're one step closer to a champion. Keep reading to see how it turns out. 

Sunday, May 1, 2022

Prog Contest 2022: The Quarterfinals (aka, Round 2, The Elimination Round)

Twenty albums entered, but over the course of two-and-half months or so, ten of them have been eliminated. Now we move on to the elimination round.

Jethro kept the same format for this round as Friday had used for last years contest. Our instructions were:

I want you to give your top 4 ranking out of these ten. So if Jono El Grande was your favorite, followed by The Mercury Tree, Pekka Pohjola and Novela, you would say ''1. Jono El Grande, 2. The Mercury Tree, 3. Pekka Pohjola and 4. Novela''. I will weight the number 1 spot over number 2, etc.

Here were the ten survivors from the first round:


Il Giardino Onirico
Apofenia

Italy is considered a prog hotbed of the very highest caliber, and this one makes no exception. Album is consistent and is centered around electric guitar supported by a variety of synth and keys. It expresses all the emotions found here to the max. Here, it's romantic, there it's dark. There is a sense of tension as well, and it can be hypnotic at times. No necessarily need of vocals for doing so. When the vocals are sparsed, the instruments tightly express. Album is very melodic, and not many heavy parts to be found but heaviness is in their DNA, as shown in their previous albums.

https://www.youtube.com/watch?v=DESnpZqOndg&list=PLuS4U--ALmIFO31OkVeIZTh6s4Fum09K1
track 1 is a teaser. Please skip it.

Maquina!
Why?

Why? is a Spanish proto-prog record very heavily steeped in the psychedelia of the era. One wouldn't be shocked to hear the likes of the title track in a 1969 Grateful Dead live performance (with better vocals) as it runs on its acid fueled energy for around 25 minutes. Apparently this album was quite the historical achievement as one of the first of its kind to come from Spain and helped develop the prog scene there. For those who aren't fans of jam rock, this might not be your cup of tea, but there are still plenty of other moments that might satisfy including pretty killer basslines throughout.

https://www.youtube.com/watch?v=1yng581COUU

Circus
Movin' On

Mezquita were from Cordoba, Spain, so you get what the cool kidz call "Rock Andaluz" (in other words prog rock infused with flamenco + a noticeable north african influence (think morocco etc. ))
What else... Franco is dead (yay!) and burns in hell for all eternity, so different regions in Spain were starting to feel themselves again resulting in a rise of regional pride resulting (among other things) in this: an album that just oozes Andalusia.
tl;dr: a damn good andalusian prog rock record, just bask in the glory of southern Spain

Youtube: https://www.youtube.com/watch?v=rdChSFgFT2Q
(it's also on Spotify)

SBB
Memento Z Banalnym Tryptykiem

SBB is a criminally slept on polish prog group that have made some of my favorite records in all of music. I love their songwriting and musicianship, and that's on full display on this record in particular. This record is a great show of strength for the group's abilities, from flashy exciting jazz fusion to the somber, Spanish-influenced wails of a lone guitar, these guys know how to make a melody. And I want to make sure everyone knows that.

https://www.youtube.com/watch?v=iq2WKo5s8e8&ab_channel=EricDeRosaProg

Axis
Axis

Axis formed in 1970 and served as a backing band for Demis Roussos (Aphrodite's Child). Four years after the seize of power by the junta regime they had to move to France, where they recorded their three albums. Their eponymous album finds them with a different line-up. They play experimental and dark prog incorporating elements of avant-jazz, symphonic prog, and Canterbury. You'll notice how harsh and rhythm-oriented some segments are. The album, released only in Canada and France, is the absolute unit of obscure progressive rock, and one of the most inspiring releases of the Greek scene.

https://www.youtube.com/watch?v=lp4LQr8cAaE

Novela
Sanctuary

The way the vibrato-filled singing keeps bouncing around may not be every westerner's cup of coffee (tea?), but this Japanese album from 1983 surely deserves to be heard by progheads because of how modern it feels, from the impressively clean production (Wilson-y?) to that rhythmic bass 20 seconds into the first song that sounds like something a modern prog metal band could have come up with. An album that could have come out yesterday.

YouTube: https://youtu.be/MTlONv33Xdk

Pekka Pohjola
Visitation

For his 4th solo album, Finnish composer and bassist Pekka Pohjola (1952-2008), one of the greatest Scandinavian musicians of all time, puts everything he had: his sense of melody, boundless love for jazz and prog rock, Mr. Frank Zappa's teachings and an absolutely unique look at the nature of neoclassical music. This instrumental record is a 32 minute entity joined not only by a brass section, but also by the strings and woodwinds of the Helsinki Philharmonic Orchestra. An ambitious album that, for once, achieves its lofty goals, and in spectacular style to thrill.

Spotify: https://open.spotify.com/album/13jsiukSg8oNVBKACx3X3f?si=4cZ0GZskTBSc6kFIfAyfog

Youtube: https://www.youtube.com/watch?v=SVDUIxuUWxE

The Mercury Tree
Spidermilk

The Mercury Tree’s latest is a continuation of their last: heavy avant-prog with experimental and math rock tendancies. But Spidermilk is the fruition of their microtonal/xenharmonic experiments, being their first album composed entirely on 17-EDO tuned and fretted guitars. Just as Harry Partch predicted in his manifesto on modern microtonal music, “Genesis of a Music,” what begins as impenatrable cacophany on first listen gradually morphs into a surreal escape into otherworldly songs upon repeated listens. Look no further than “Vestments” for the album’s prog accumen, reappropriating King Crimson’s Discipline era for a brave new world of microtonality. I saw them live and they deftly replicated this microtone for microtone. Certainly the most innovative prog rock band in the United States today.

https://themercurytree.bandcamp.com/album/spidermilk

Jono El Grande
Melody Of A Muddled Mason

Norwegian nutter throws everything into an album that is mad, off the wall (and at times up it) comical, melodic, dark and playful all the while following a proggish forays into melody and rock.
Available in Bandcamp and other streamings.

https://jonoelgrande.bandcamp.com/album/melody-of-a-muddled-mason

Present
Barbaro

Dense ass avant-zeuhl chaos, and way better than a 2000s reunion prog album from an old act has ANY right to be. Band got started by the guitarist from the first two Univers Zero records, and this one closes with a cover/redo of Jack the Ripper off Heresie. Whole things a ride.

https://www.youtube.com/watch?v=BAFqDYKKhIM

Only stream I could find is on YouTube. Sound quality there is predictably a bit shit, so if any progheads are savvy enough to use Google drive, I also uploaded my copy into a shared folder for your beautiful ears:

https://drive.google.com/drive/folders/1IZRIrhQuCc0_NfWJ2Jfl6EKEaDlV76qZ

So once again, we'll see how it goes.

I've already relistened to all of these and made my vote for next week. (More about that later on.) I'll tell you all about that after all of the voting is in and the four albums moving on to the semi-finals have been declared.


Prog Contest 2022: Round 1, Match 10 Results

Once again, a wild finish to a crazy match to finish up Round 1. I knew which way I was going to go early on:

Gonna give them each at least another listen, but I'm already pretty sure which way I'm going in this match.

The User who rep'd the LP I was less fond of immediately recognized which way I was leaning, and responded:

Lmao Diva, given our discrepancies in prog taste reckon you’re clocking in at the Steel Mill?

I hadn't really intended to reveal which way I was leaning yet, but since he already knew, I gave him an honest answer:

Very likely. The cover art for Present feels to me like it matches the music - very busy and hectic. And I've always liked the psychedelic stuff, which also gives Steel Mill a advantage. But I'll give Barbaro at least one more chance to win me over.

I actually gave them each two more listens, but my feelings didn't change. Here was my vote:

As expected, I'll be voting for Steel Mill. Their brand of psychedelic prog is much more up my alley. I really liked the Native-American-sounding flutes on this one.

I will say that I've liked Barbaro a little better each time I've heard it. It's a very busy album, though, and certainly not a natural fit for my tastes.

Steel Mill pulled out to a slight lead, but by the end of allotted voting period on Saturday, the albums were tied at 9 votes apiece.

One of the Users who hadn't weighed in yet then said that he was sorry he was late, but he needed some time to see which ne he preferred. Unbeknownst to us, however, our friend Jethro had already reached out to a User who wasn't part of this year's contest but had been with us in previous years to submit a tiebreaker vote. He submitted his vote first, and Jethro called a winner.

Final Result: Steel Mill 9 votes, Present 10 votes.

My final results in Round 1: Albums I voted for that won their round 2, albums I voted for that lost their round 8. The diva course had run its course. On to the Quarterfinals (aka the Elimination Round).

 

Prog Contest 2022: Round 1, Match 10 Update

Well, we're tied again. I'll let you know when we have a tie breaker.

Oy vey!