Monday, March 7, 2022

Prog Contest 2022: Round 1 Match 3

So here we go with Match 3 of the first round. This time, we've got an eclectic Polish prog rock band with an album from 1980 matching up against a Spanish prog rock/Andalusian rock band with an album from 1979. Here's the tale of the tape:


SBB - Memento Z Banalnym Tryptykiem

SBB is a criminally slept on polish prog group that have made some of my favorite records in all of music. I love their songwriting and musicianship, and that's on full display on this record in particular. This record is a great show of strength for the group's abilities, from flashy exciting jazz fusion to the somber, Spanish-influenced wails of a lone guitar, these guys know how to make a melody. And I want to make sure everyone knows that.

https://www.youtube.com/watch?v=iq2WKo5s8e8&ab_channel=EricDeRosaProg


vs.


Mezquita - Recuerdos De Mi Tierra

Mezquita were from Cordoba, Spain, so you get what the cool kidz call "Rock Andaluz" (in other words prog rock infused with flamenco + a noticeable north african influence (think morocco etc. ))
What else... Franco is dead (yay!) and burns in hell for all eternity, so different regions in Spain were starting to feel themselves again resulting in a rise of regional pride resulting (among other things) in this: an album that just oozes Andalusia.
tl;dr: a damn good andalusian prog rock record, just bask in the glory of southern Spain.

Youtube: https://www.youtube.com/watch?v=rdChSFgFT2Q
(it's also on Spotify)


Prog at it, boys!

Sunday, March 6, 2022

The Road to the '80s Cruise

Well we actually made it, and I'm typing this from the 2022 80's Cruise from onboard Royal Caribbean's Mariner of the Seas. But let me tell you, it wasn't an easy road to get here.

I'll start by saying that my background in psychology and my knowledge of human nature leads me to say that we all have areas of our lives where we're a little crazy. Some have many, some have fewer. But when you feel yourself easily angered about something, and pushing things just a little too hard, then someone has touched on one of yours. Speaking personally, I have a lot of them. I mean a lot. My wife Denise, not so many. But one of them is her devotion to 80's music in general, and the '80's Cruise in particular. She went for the first time two years ago, and she thought she'd gone to heaven. And for her, in a way, the entire two years of the COVID pandemic has been about her struggle to get back to the next one.

I've told you a little over the course of the pandemic how I've vacillated about being excited about going on the cruise and being anxious about it. I mean, it's a frigging pandemic! And there were a lot of things that concerned me about it, especially that I knew this: While most cruise ships today have been going out at much, much less than full capacity, some of them practically ghost ships, because this was a cruise that was chartered by an outside company (ECP), and because the cruise was just about sold out in advance almost two years ago, this ship was going to be damned near 100% full. (And while I haven't double-checked it with ship personnel, from what I see this week, I was mostly correct about that.) Social distancing? What's that? 6 feet apart in the elevators? Don't make me laugh.

So when the omicron variant suddenly took off near the end of last year, my anxiety went through the roof. When ECP offered full refunds to everyone in November if they cancelled their cruise by the end of that week, I gently implied to Denise that perhaps we should take advantage of that offer while we could. She didn't respond - I'm not even sure if she processed what I said - but the next day, she went and booked our hotel rooms in Florida. Which I guess was her way of telling me she was going, whether I was or not. OK, fine.

So we've chugged along, getting ready for our cruise, I with equal parts excitement and dread. (Well, dread is probably too strong a word. But discomfort, anyway.)

A little more than a week ago, I came down with a minor medical ailment that made me doubt whether it would be a good idea if I went. I pulled my son aside, as he's the one who had accompanied my wife to the last 80's Cruise, and asked him if he'd be able to step in for me at the last minute if I wasn't able to go. (I didn't want Denise trying to make the trip to Florida, etc., without some help, if at all possible.) My son told me he'd go if he "had to," because he didn't want Denise traveling alone either. However, he also let me know that he'd rather not if I didn't need him to, because he had "big plans" for the week we were going to be away. When your 21-year-old who still lives with you makes a comment like that - well, lets just say I was suitably terrified. Luckily for him, my ailment cleared up, so I told him never mind.

The next thing that happened occurred the weekend before we were set to sail. That Saturday, my daughter's boyfriend (who lives with us) came home ill. By the next day, he was hacking and coughing and feeling miserable. At this point, Denise, who is usually the most compassionate of people, let me know secretly that she planned to kill him if he spread COVID through the house and caused us to miss the cruise. I reminded her that it wasn't his fault if he got sick. She agreed. Nevertheless, I sensed that his life might be hanging by a thread.

That Monday, while I was still half asleep, I heard my son walking him through a home COVID test. I also heard him sneezing a coughing up a storm, all throughout the house, and I knew there was no way the rest of us weren't going to catch it. I learned later on that thankfully, he had tested negative on the home test. Unfortunately, by the end of the night, I could feel my throat getting sore, And sure enough, by the next day, everyone else in the house was feeling terrible.

(A day or so later, he confided that he was pretty sure he'd gotten sick due to taking a February "cold water plunge." At that point, I withdrew my services as his defense lawyer. If he made Denise miss this cruise, there was no saving him.)

Tuesday and Wednesday nights, I felt godawful - sneezing, coughing, etc. I took care of my health as best I could, and by Thursday, I was much better. (Which was a good thing, as we were scheduled to fly out on Friday.)

However, the next hurdle was our pre-COVID testing. Although the cruise COVID protocols have changed almost every other week over the last few months, for right now, the cruise lines are all requiring you to pass a COVID test within two days of your sail date. Our sail date was Saturday.

We had purchased COVID tests from the cruise line, which are special tests that you have to take while proctored by medical personnel over Zoom. (A regular home test isn't acceptable - it has to be supervised by a medical person.) Because we're both vaccinated, we only had to take the rapid test, but it's non-negotiable - if you show up at your cruise port without proof that you've passed a medically supervised COVID test, they won't let you on the ship - end of story.

We called into the test line, and Denise went first. The person supervising was obviously not in America, and as I listened to his heavy accent giving instructions, I stressed - I wasn't sure I'd be able to follow them when it was my turn. Denise was also getting flustered, until at one point, he told her to remove a tab. When she did, her test strip fell apart. He had meant a different tab. Unfortunately, this made the test unusable, and Denise had only bought two tests - one for each of us. He informed us it was no problem, because he would report that the test was no good, and they'd issue us a refund. He didn't seem to understand (or to care) that the refund wasn't what made a difference - we had to both submit negative COVID tests, or it was no cruise for us.

Luckily (and this is something that wouldn't have happened a few months ago), there was a CitiMD near us that indicated that we could come in that day, and we'd receive our results the same day. (I did offer to let Denise use the second test kit and go without me, but I really didn't want to see her have to go on her own.)

In any event, we shot over to the medical office, and after a moment of panic because it looked closed, we were able to enter the office and get tested. Because my daughter's boyfriend, who now referred to himself as "Patient Zero," had tested negative on the home COVID test, I was pretty sure that we both would too. And happily, I was correct.

I was still a little nervous, and that night, I emailed my travel agent and asked her if there was any chance cold symptoms might still keep us off the cruise. She emailed me back that there was, because they still ask you health questions before the cruise. I considered withholding this info from Denise, but decided that if this was going to happen. it would be better if she was prepared for it. In retrospect, that was an error. "We don't tell them!" she practically shouted.

I wasn't comfortable with this. I'm a lousy liar anyway, and I had heard of a case a few months earlier where someone had gone on a ship and had withheld telling the cruise line he had symptoms. Then, once he was on the ship, his symptoms worsened, and they had to remove him early. (They might have even had to turn the ship around to do so.) They had removed him from the ship, and I'd heard there was a chance he was going to be banned from cruising ever again. I repeated this information to Denise, but she wasn't impressed. "I don't care! I'm going!" she insisted. "And if you tell them and they say you can't go, Bye!"

At this time, I think I told her that for next year's cruise in California (which she has already booked us on), I wasn't going. "I can't deal with this!" I told her.

She calmed down a little, as did I. But I didn't know how this was going to play out.

We both got a good night's sleep and left the house early the next morning to catch our flight. It was all good now, right? Not so much.

We were flying out of Kennedy Airport (which I hated, but apparently there are no direct flights to Orlando these days out of MacArthur). Instead of parking in the long-term airport parking lot, Denise had prepaid for parking nearby at a much lower rate, as she had two years ago when she went with my son. Unfortunately, the lot she'd parked in last time had been booked up, so they'd referred her to another lot. We entered the company's alleged address into her GPS and headed off. You know where this is going, don't you?

We were supposed to arrive at 11AM at the lot, leave her car, and take their shuttle to the airport next door for our 1PM flight. But you know, sometimes GPS's lie.

We drove around for 30 minutes trying to find this stupid lot. People gave us different directions, none of them correct. Finally, at the last possible minute, Denise was able to find the number to call our lot, and they told us how to get there.

We got to the airport, checked in (there were a few issues with this as well), and got ushered to the gate approximately two seconds before boarding began.

We had another slight issue on the flight - we always buy an extra seat, because we're hefty. But the agent we'd checked in with had forgotten to give us a boarding pass for the extra seat. And shortly before our takeoff, a woman showed up with a boarding pass for our extra seat.

Luckily, Denise had the paperwork to prove we had paid for the extra seat, and the flight attendants had been able to find an extra seat elsewhere for this woman.

The flight was otherwise uneventful, except that I often have problems with my ears while flying - they don't handle the depressurization of the cabins all that well, and especially because I still had a cold, the landing was kind of painful. Other than that, though, the flight went well. We landed and caught our shuttle to the hotel we were staying in Friday night.

We had a quiet dinner at the hotel, went to bed and got a good night's sleep. It was all smooth sailing from here. (Right.)

In the morning, the cruise bus we'd arranged picked us up a little early at our hotel. We got to the cruise port with no issues, and went to customer service. We had arranged wheelchairs for the embarkation process, as neither of us can stand and walk for as long as check-in usually takes. At one point, Denise started to ask the wheelchair handlers about the health questionnaire (as we hadn't found it online where we had expected). But they didn't really understand what she was asking, and I poo-pooed it and got her to stop asking. Don't ask, don't tell, I figured.

We were whizzed through security, and over to the next step in the check-in process. At this point, a lady in front of the counter started to ask us a few questions. She checked our negative COVID tests, and we were just flying through this process. She had a few last questions for us: "Have you had any flu symptoms this week - any fever, chills, body aches, loss of taste, coughing, congestion?" she asked, seeming to barely listen to our answers.

"I had a little congestion early in the week, but nothing serious," I heard myself say.

The whole terminal seemed to go go silent, as the woman's expression got serious. "Did you say you had congestion?" she asked.

No! What? I never said that.

I sheepishly said, "Yes, but it's mostly gone now."

I looked across and saw Denise shooting daggers at me with her eyes over her COVID mask.

"Come to the counter," the woman told us.

"Oh, you probably shouldn't have said that," my wheelchair pusher whispered. At this point, I knew I had stepped in it.

Over at the counter, they asked us a million more questions about our health issues - when did they start, etc. (By this point, Denise had fessed up to having congestion also, glaring at me the whole time.)

"What happens now?" my wheelchair handler asked.

"You have to take them downstairs to be retested," the woman behind the counter replied.

At this point, my skin was actually starting to burn from the looks Denise was giving me.

As our wheelchair handlers pushed us along to elevator, my guy said that I probably shouldn't have said anything. "She should have let it go, though," he said, referring to the lady with the clipboard. "She's pretty new. Someone else probably would have let it pass."

Please kill me.

We were taken in an elevator down to the basement level, which was basically empty, except for some medical personnel. They explained that they had to do the PCR test on each of us, and we would have to wait 45 minutes for the results.

They tested me first, 10 times around each nostril. Then they wheeled me into a large, empty room with a bunch of chairs and one woman working the desk. Denise followed a few moments later. She wasn't happy.

We'd been told that they'd send the results of our tests to Denise's phone.

A moment later, the woman came over and told us they'd given us the wrong test, and they were going to take us back in to do the antigen test. I pointed out that the one they gave was more thorough, and asked couldn't they just process that one. She said the wait would be longer - 45 minutes vs. 30 minutes. I asked Denise what she wanted to do, and she agreed that we might as well just have them use the tests we'd already taken.

We sat there waiting in the large room, just the two of us. Out of the high windows of the room, we could see the top of our ship. We were tantalizingly close.

I tried to explain to Denise that I hadn't wanted it to be like the end of the original The Taking of Pelham 1-2-3.

The woman with the clipboard: Have you had any symptoms?

Me: No!

The woman with the clipboard: Ok, you can just go thr...

Me: Achoo! 

And suddenly I'm looking into the deadpan face of Walter Matthau.

Denise was having none of it. 

It was a harrowing 45-50 minutes sitting there in that empty room and waiting. I didn't expect the tests to be anything but negative, but you never knew for sure. And I couldn't imagine what it be like if Denise got this close to her ship, only to get turned away at the last moment because of me. Or rather, I could imagine it. And it wasn't pretty.

As we waited, I nervously texted my daughter and told her what I had done. She texted me back a one-word response: "Oof!"

After it had been more than 45 minutes with no results on Denise's phone, the worker in the room left for a moment. When she came back, blessedly, she had the results of both of our COVID tests. They were negative! Thank God!

From there, things only took a few minutes more. Our wheelchair handlers came back and got us through the rest of the check-in. They handed us off to the handlers who actually pushed us over the gangplank and onto the ship.

We had made it! Our 80s Cruise adventure had finally officially begun.

SO that's where I'll leave it for tonight. My life had passed before my eyes, but thankfully, my big mouth hadn't ruined everything.

Later in the week, I'll tell you all about how the cruise is going. Until then, be good to one another!



Prog Contest 2022: Round 1, Match 2 Results

 Posting from the high seas today. (And I'll have more to say about that in a day or so.)

This was another exciting, come from behind win. Here's what I had to say:

Mmm. After first listen, these are two savory morsels. The first is more manic, the second more laid back.

I almost feel like Sisare has a psychedelic rock feel to it.

For some reason, maybe because the vocalist is so wacky, Novela makes me think of Focus.

I'm on my third listen right now, and I think I'm going to need a fourth to make a decision. 

I feel like Novela's album is more exciting, and they perhaps have the better songs. On the other hand, I like Sisare's overall sound better, and they have no real minuses, whereas Novela's vocalist is a slight negative. Two very good albums make for a very tough choice.

Maybe I'm wrong about the songs.


Finally, when it came time to vote:

This is one of those cases where I'm sorry that we're going to lose either of these albums. My vote is for Sisare, although I suspect where many of the bands I vote for in future rounds are bands I won't like as much as Novela.

In the end, as kinetic and fun as the Novela LP is, the Sisare really grew on me. I love some of the guitar stuff going on in songs like Geno, and I liked the psychedelic element to their music. I didn't hate the Novela vocalist, but there were times where I felt his vocals were the weak link in their songs. The vocals for Sisare were much smoother.

So as I said, my vote goes to Sisare.


As it turned out, though, while Sisare went out to an early 5-1 lead, Novela came roaring back.

Final Result: Novela 11 votes, Sisare 8 votes.

Sadly, I don't think I'll be able to vote in Match 3, because as I said, I'm out at sea right now on the 80s Cruise. And while I do have internet, I don't have streaming services.

I'll let you know about that later in the week. But next up, I'll start reporting on the cruise. Peace out.

Saturday, February 26, 2022

Prog Contest 2022: Round 1 Match 2

Now that we've gotten our feet wet, for Match 2 of the first round, our friend Jethro has given us a different kind of a contest. This time out, we've got a Japanese Symphonic Prog Rock band from the 1980s taking on a Finnish experimental/post metal prog band from the modern era. Here's what it looks like:


Novela - Sanctuary

The way the vibrato-filled singing keeps bouncing around may not be every westerner's cup of coffee (tea?), but this Japanese album from 1983 surely deserves to be heard by progheads because of how modern it feels, from the impressively clean production (Wilson-y?) to that rhythmic bass 20 seconds into the first song that sounds like something a modern prog metal band could have come up with. An album that could have come out yesterday.

YouTube: https://youtu.be/MTlONv33Xdk 


vs.


Sisare - Leaving the Land

Northern European band abandons metal to explore prog rock stylings. Gee, have I heard this story before? This Finnish band actually made the switch seem quite easy with Leaving the Land, blending heavy prog with psychedelic, indie and post-rock influences to produce a surprisingly accessible and cohesive experience.

https://youtu.be/Y2L7q9WiBSs


Now here's the rub: If all goes well, by next Saturday night, when the results of this contest are finalized, I should be on my cruise ship, heading to Nassau, Bahamas and rocking out to a host of 80's bands. I plan to have my work laptop on the ship, and we have the internet package, but I'm not sure I'll be able to get onto this website to post the results. So you might not see them until more than a week later on Monday or Tuesday (March 14 or 15).

So wish me a good cruise, and know that I'll post the results of this round as soon as I can.

Have a great couple of weeks my friends! I plan to.

Prog Contest 2022: Round 1, Match 1 Results

I said it last year, and I'll say it again: It sucks going first! This was a brutal and ridiculously close contest, and it wasn't going to end in a tie, as one of our 20 contestants was away this week and unable to vote.

Here's what I had to say:

To the surprise of absolutely no one, I vote for my own entry, Frogg Cafe.

For me, Frogg Cafe goes grand scale a bit more often than Pekka. Not only do I not mind the vocals, but the five tracks with vocals are my favorites. (But I've stated before that in general, I find tracks with vocals more interesting than instrumental tracks.) Some people have declared the Creatures LP to be this band's best, but for me, it will always be Bateless Edge. The band had been together for a quite a while at this point without any personnel changes, and it shows.

I liked quite a bit of the Pekka Pohjola. The first track made me think of a slower, more twisted version of Saint-Saens' "Danse Macabre", and I liked the last track quite a bit as well. Some of the middle tracks were a little too playful for me, but it's still a good album overall.

Nevertheless, once again, I vote Frogg. 

The Frogg boys pulled out to an early 7-2 vote lead, and one of the two who voted for Pekka was Zig, the User who had nominated them. So it was looking good early on.

However, as the week wore on, the vote started getting closer. Soon it was 7-5, then 8-5, then 8-6, and I was hoping to string it out just long enough to pull off the win. But it was not to be, as 4 of the last 5 Users voted for Pekka, giving him the excruciating 10-9 win.

In the end, I think that two of the factors were album length and accessibility. The Frogg Cafe LP clocks in at close to 80 minutes long, while the Pekka Pohjola album runs just a little over a half hour. And while a lot of Bateless Edge is fairly complicated, Visitation seemed more easily digestable.

In the end, at least I exposed Frogg Cafe to some new listeners, and even a lot of the Users who voted against their album enjoyed it and expressed admiration for it. Its average on the Sputnik Music website sits at 3.8 out of 5, which is somewhere between "Great" and "Excellent". So as our old friend Jeff Arthur from the Pisces Cafe would say, that's not too shabby.

Final Result: Frogg Cafe 9 votes, Pekka Pohjola 10 votes.

Onward to the next matchup.

Saturday, February 19, 2022

Prog Contest 2022: Round 1 Match 1

Here is the first of the first round matchups in Jethro42's Prog Rock Tournament on the Sputnik Music website. For the second year in a row, my rec is up first (and for the second year in a row, my entrant is going up against the entry of a User named Zig. I think Jethro's trying to start a war between Zig and myself.)


Frogg Cafe - Bateless Edge

Frogg Cafe is a quintet from my very own hometown of Long Island, New York. They began their existence as a Frank Zappa cover band, but soon began creating original music. They describe their sound as a blend of progressive rock, pop melodicism and fusion jazz. progarchives.com says "Their music alternates from light, airy piano and violin parts to darker, intense guitar passages, creating a dynamic contrast; the use of the trumpet also adds interesting tonal colours."

https://froggcafe.bandcamp.com/releases


vs.


Pekka Pohjola - Visitaation

For his 4th solo album, Finnish composer and bassist Pekka Pohjola (1952-2008), one of the greatest Scandinavian musicians of all time, puts everything he had: his sense of melody, boundless love for jazz and prog rock, Mr. Frank Zappa's teachings and an absolutely unique look at the nature of neoclassical music. This instrumental record is a 32 minute entity joined not only by a brass section, but also by the strings and woodwinds of the Helsinki Philharmonic Orchestra. An ambitious album that, for once, achieves its lofty goals, and in spectacular style to thrill.


Spotify: https://open.spotify.com/album/13jsiukSg8oNVBKACx3X3f?si=4cZ0GZskTBSc6kFIfAyfog

Youtube: https://www.youtube.com/watch?v=SVDUIxuUWxE


Voting ends next Saturday, February 26th. I'll let you know how it all works out.

Prog Rock Contest 2022: Preliminary

OK, so as I said in an earlier post, this year's tournament has a new host, the esteemed Jethro42. (And guess what band he's named after.) Our old friend Friday13 hasn't disappeared entirely, though, as he is a participant in this 2022 clash.

Here's a little background on the tournament, and its history: Friday put together the first one in 2013. In 2014, he switched it over to a Psychedelic Rock tournament. However, this proved to be less popular. So he went back to prog rock in 2015. He kept it going as a prog rock battle ever since, until last year, when he announced that the 2021 tournament would be his last. And at the conclusion of that contest, he surprised us by announcing a Tournament of Champions, which included all of the previous winners.

Again, these are intended to be relatively obscure albums competing, albums that have drawn less than 30 ratings apiece on the Sputnik Music site.

Here's the list of previous winners:

2013 - Los Jaivas - Alturus de Machu Picchu (1981) - A Chilean band that blends folk and symphonic rock

2014 - T2 - It'll All Work Out in Boomland (1970) - A British psychedelic/progressive rock band

2015 - McLuhan - Anomaly (1971) - An American prog rock band that blends jazz and psychedelic rock

2016 - Landberk - One Man Tells Another (1994) - A Swedish progressive art rock band

2017 - Universal Totem Orchestra - Mathematical Mother (2016) - An Italian symphonic jazz rock band

2018 - Carmen - Fandangos in Space (1973) - An American prog rock band that mixes rock music with flamenco music and dance

2019 - Wobbler - From Silence to Somewhere (2017) - A Norwegian symphonic prog rock band

2020 - There was no contest, as Friday took a year off (as did much of the world, thanks to COVID).

2021 - Regal Worm - Pig Views (2018) - A British crossover prog band.

Tournament of Champions (2021) - Universal Totem Orchestra - Mathematical Mother (2016)

As you can see, the winners have come from several different countries, many different sub-genres of progressive rock, and a time span from 1970 through 2018 (although with the '70s having been prog's heyday, there tend to be more entries from this era than from any other). I don't know about you guys, but out of these eight albums, there were only two I had previously been familiar with.

The tournament historically has had 16 entries every year, although last year and this year, that number was increased to 20. The host has to approve each entry as meeting the criteria of the contest. (You can't claim Duran Duran is prog, for example. You have to have an outside source saying the artist is prog, such as progarchives.com, Wikipedia, or even Sputnik Music itself.) And so far, in his first turn as host, I'd say that Jethro's criteria has been even stricter than Friday's.

For each of the first 10 weeks, Jethro will present two entries that he believes go together in some way or other, and everyone will vote on their favorite, after giving each album at least one (but hopefully several) listens.

This year's players, much like the bands who'll represent them, also come from a number of different countries. Here are this year's entries:

1. Il Giardino Onirico - Apofenia (2019) - An Italian crossover prog band

2. Maquina! - Why? (2013) - A Spanish proto-prog band

3. Mezquita - Recuerdos De Mi Tierra (1979) - A Spanish symphonic prog band

4. Circus - Movin' On (1977) - A British progressive jazz rock/fusion band

5. Polis - Weltklang (2020) - A German heavy prog band

6. Frogg Cafe - Bateless Edge (2010) - An American progressive jazz rock/fusion band

7. SBB - Memento Z Banalnym Tryptykkiem (1980) - A Polish eclectic prog band

8.  Axis - Axis (1973) - A Greek progressive jazz rock/fusion band

9. Novela - Sanctuary (1982) - A Japanese symphonic prog band

10. Pekka Pohjola - Visitation (1979) - A Finnish progressive jazz fusion composer/musician

11. The Mercury Tree - Spidermilk (2019) - An American heavy prog band

12. All Traps on Earth - A Drop of Light (2018) - A Swedish symphonic prog band

13. Brand X - Product (1979) - A British progressive jazz rock/fusion band

14. Steel Mill - Green Eyed God (1972) - A British heavy prog band

15. Slapp Happy - Slapp Happy (1974) - A multinational avant-garde prog band

16. Present - Barbaro (2009) - A Belgian avant-garde prog band

17. Flaming Row - Mirage - A Portrayal of Figures (2014) - A German progressive metal project

18. Sisare - Leaving the Land (2018) - A Finnish experimental/post metal prog band

19. Jono El Grande - Melody of a Muddled Mason (2015) - A Norwegian avant-garde composer/artist

20. Supersister - To the Highest Bidder (1971) - A Dutch Canterbury Scene prog rock band

My own entry, the Frogg Cafe album, is the only one I've ever heard before, and Slapp Happy and The Mercury Tree are the only other artists in this group I've ever listened to.

The breakdown by decades is as follows: nine entries from the 1970s, two from the 1980s, two from the 2000s, six from the 2010s and one from the 2020s.

As you can see, there are a variety of prog styles represented. For those of you who know my tastes, I my usual bias is towards folk or symphonic prog, and against jazz and experimental, but of course this year, my own entry is more jazz based.

As I mentioned in my last post, the first matchup has already been set, and SPOILER ALERT, I'm in it! So I'll be back to tell you about it shortly.